（1944.4～）别名阿傅，广西岑溪人。中央美术学院附中和北京电影学院摄影系毕业。历任中国农业电影电视中心高级摄影师，北京电影学院现代创业媒体学院教授，获美国密苏里—堪萨斯大学埃德加·斯诺教授荣衔。中国美术家、中国版画家、中国电影家、中国摄影家协会会员，被坊间称四栖艺术家和速写高手。曾以画家的审美拍摄过以百计的影片，有得奖电影《湘女萧萧》《黑骏马》《益西卓玛》（摄影）和《说好不分手》（导演）。又将电影的多元意识用于绘画，不间断地在动和静的双轨中创作，在写实和写意中穿行。有油画《扎西德勒，喜玛拉雅山》《曹丕想杀弟弟曹丕》。在得奖作品《西行漫记》为代表的众多木刻的基础上又衍生出新画种《软纸水印彩墨画》，作品有彩色《半开门》，黑白《熊图腾》。

　　Fu Jingsheng, a.k.a. Ah Fu, born in Cenxi, Guangxi Province in 1944.
　　Graduated from CAFA Affiliated High School in 1964 and Department of Cinematography of Beijing Film Academy in 1966. Served as senior cinematographer with China Agricultural Film Studio and art professor of Beijing Film Academy College of Modern Creative Media; as well as Edgar Snow Honorary Professor of Art of the University of Missouri-Kansas City.
　　Member of China Artists Association, China Film Association, China Photographers Association, and China Printmaking Artists Association. Known among peers as a Multi-discipline Artist and Super Sketcher. The cross-disciplinary experience has enabled me to approach cinematography with a painter’s eye and to incorporate the pluralism of filmmaking into painting. From still subjects to motion scenes, from realist paintings to freehand brushworks, I’m able to traverse back and forth with ease.
　　Made over a hundred films as cinematographer or director, including the award winning films A Girl from Hunan, Black Steed, Song of Tibet andAgreed not to Separate (as director). Among my major art works are oil paintings Namaste, Himalaya; Cao Pi contemplates killing his brother; andaward-winning woodcut Edgar Snow. Years of woodcutting experience have also inspired me to explore new mediums: my papercut prints, in ink or color, are born as a result. Major papercut prints include Half-open Door (color) and Bear Totem (ink).